Cold Enough for Snow

‘Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.’
— Edouard Louis, author of The End of Eddy

‘So calm and clear and deep, I wished it would flow on forever.’
— Helen Garner, author of The First Stone

‘Au’s is a book of deceptive simplicity, weaving profound questions of identity and ontology into the fabric of quotidian banality.... What matters, the novel reassures us, is constantly imbricated with the everyday, just as alienation and tender care can coexist in the same moment.’
— Claire Messud, Harper’s

‘This novella is graceful and precise. Like the narrator fine-tuning the aperture on her Nikon camera, Au seems to say, we have to choose our scale, what we pay attention to. ...Finally, we bump up against what is not knowable. Au has mentioned her taste for “subverting narrative expectation ... open endings, scenes in which nothing happens yet everything happens”. Cold Enough for Snow is exactly this, a book of inference and small mysteries. The stories, memories and images Au puts on the table escape easy conclusions ... Aesthetic, opaque, endlessly uncoiling.’
— Imogen Dewey, Guardian

‘Au’s novel is ... masterly in the way it evokes our dissociation from desire—our own and other people’s.... We can sense it in the soft, patient warmth of Au’s prose, which sometimes feels attuned to truths just out of the narrator’s reach.’
— Peter C. Baker, New Yorker

‘This clever, phantom-like work eludes definition.’
— Catherine Taylor, Guardian

‘This is a powerful novel about the relationship between a mother and daughter, and the ways that geography, language, art, travel and migration can change the ways we see ourselves, as well as alter the relationships we have with loved ones with differing life and cultural experiences. Reading it –no matter the season – feels akin to walking through a hazy, dream-like mirage, in which characters, emotions and intentions are ever-so-slightly out of reach.’
— Vanessa Peterson, frieze