Handbook of Popular Culture and Biomedicine
3 contributors - Paperback
£119.99
Mr Görgen received his M.A.in 2008 from the University of Augsburg, where he studied European cultural history. From 2009 to 2017 he has worked with Heiner Fangerau at the Institutes of the History, Philosophy and Ethics of Medicine at Ulm University, University of Cologne and Heinrich Heine Universität Düsseldorf. Since 2018, he is researching “horror-game-politics” and specifically bio-horror games at the HKB Bern University of the Arts. He has published extensively in the field of bioethics, biomedicine and popular culture, and possesses a strong background in discourse analysis, literary theory, and game studies. Besides medical tropes in pop culture, his research interests include science communication, media history of child abuse and child protection, the bioethics of posthumanism, eHealth and others.
Dr German Alfonso Nunez Having recently received his Ph.D. from the Transnational Art, Identity and Nation Research Centre (TrAIN) at the University of the Arts London, today Dr Nunez holds a São Paulo Research Foundation (FAPESP) fellowship and is currently based at the Faculty of Philosophy, Languages and Human Sciences (FFLCH) of the University of São Paulo (USP). A past committee member of the Computers and the History of Art Group (CHArt, London) and contributing writer for the Studio International journal (New York/London), his research is concerned with the historical development of artistic practices that intersect with technology and science. Apart from his scholarly research, he has been a practicing artist for the past ten years, presenting his artworks in more than 20 exhibitions worldwide. In 2011, alongside his art collective [+zero], he was nominated for the prestigious PIPA Contemporary Art award prize, in Brazil.