Conceptual, Surrealist, Pictorial

This book provides an in-depth analysis of photography's evolution in Belgium from the 1960s to the early 1990s, highlighting key artists and movements. Conceptual, Surrealist, Pictorial showcases the unique blend of influences in Belgian art.

The book Conceptual, Surrealist, Pictorial offers a comprehensive examination of the evolution of photography among Belgian artists from the 1960s to the early 1990s. During this transformative period, photography emerged as a significant medium within the gallery-focused fine art sphere. Liesbeth Decan delves into ten key case studies, providing insights into how these works reflect broader international artistic movements of the time.

Decan highlights the pioneering roles of artists such as Marcel Broodthaers, Jacques Charlier, and Jef Geys, who utilized photography within the realm of Conceptual art. The narrative then shifts to the peak of Photoconceptualism in Belgium, showcasing the contributions of figures like Jacques Lennep, Jacques Lizène, Philippe Van Snick, and Danny Matthys. As the book progresses, it explores the transition towards a more pictorial and tableau-like approach to photography, featuring artists like Jan Vercruysse, Ria Pacquée, and Dirk Braeckman.

Ultimately, Conceptual, Surrealist, Pictorial reveals a distinctive blend of influences from Conceptual art, Surrealism, and the pictorial tradition within Belgian photo-based art. The publication is also GPRC-labeled, ensuring that it has undergone a rigorous peer-review process, further solidifying its importance in the study of art history and photography.