Japanese Woodblock Prints

Andreas Marks author

Format:Hardback

Publisher:Taschen GmbH

Published:29th Oct '19

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Japanese Woodblock Prints cover

From Edouard Manet’s portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh’s meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe—but often remains misunderstood as an “exotic” artifact that helped inspire Western creativity.

The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art—including, as Karl Marx put it, that “all that is solid melts into air”—were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century.

This book lifts the veil on a much-loved but little-understood art form by presenting the 200 most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or “pictures of the floating world,” to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan.

From mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print—beauties, actors, landscapes, and bird-and-flower compositions—alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans—rock stars who populated the “floating world” and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living—stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their...

“A dreamlike stroll through the most beautiful landscapes of this fantasized Japan.” * Vogue *
“A quarter-millennium’s worth of prints reveal the evolving tastes of Japanese artists over the ages, and the impact of this art form on global culture.” * The New York Times *
“Another blockbuster from TASCHEN… gives star billing to the big three of Hokusai, Hiroshige and Utamaro, but also has plenty of room within its more than 600 pages for less celebrated but invariably fascinating figures.” * Evening Standard *
“With incredible ingenuity and tongue-in-cheek wit, these images — portraying sensuality, freedom and effervescence — make up a unique genre in art history.” * hypebeast.com *
“A rare and insightful glance at privately-owned art pieces that rarely make it out into the public realm, and also a chance to relish in the history of Japanese woodblock printing.” * itsnicethat.com *
“I envy the Japanese for the enormous clarity that pervades their work... they draw a figure with a few well-chosen lines as if it were as effortless as buttoning up one’s waistcoat.” * Vincent van Gogh *

ISBN: 9783836563369

Dimensions: unknown

Weight: 5796g

622 pages

Multilingual edition