Jean Dubuffet

This book explores the radical vision of Jean Dubuffet, highlighting his innovative techniques and commitment to art for everyone, not just the elite.

This insightful book, Jean Dubuffet, features newly commissioned essays and stunning photography of seldom-seen works, showcasing the radical vision of one of the most provocative figures in postwar avant-garde art. In the backdrop of 1940s occupied Paris, Dubuffet emerged as a champion of a progressive art philosophy that defied traditional notions of beauty, opting instead for a raw, visceral aesthetic that spoke to the human experience. His innovative approach to materials led him to blend paint with unconventional substances like sand, glass, tar, and coal dust, pushing the boundaries of artistic expression.

In addition to his unique techniques, Dubuffet was an early collector of art brut, seeking out works created outside the confines of established fine art traditions. From 1945 onwards, he visited psychiatric wards to gather art produced by patients, further emphasizing his belief that creativity could flourish in any context. Jean Dubuffet includes texts from leading scholars, providing context and analysis that enhance the understanding of Dubuffet's contributions to art.

The book is organized into six thematic sections, each focusing on significant series of his work, including the graffiti-inspired “Walls,” the notorious portrait series “People are Much More Beautiful Than They Think,” and the provocative “Corps de dames” landscapes. The accompanying images not only highlight Dubuffet's artistic endeavors but also celebrate his belief that art should be accessible to all, transcending elitist boundaries.