imitatio -- artificium

This study examines three early modern goldsmithing artifacts, revealing their significance in understanding nature and the complex interplay of art and knowledge in imitatio -- artificium.

In imitatio -- artificium, Henrike Haug delves into the intricate world of early modern goldsmithing through the study of three significant artifacts: a handstone, a turbanshell jug, and a globe goblet. These objects are not merely decorative; they serve as vessels of knowledge about nature, entwined within complex relationships that span material, technical, political, philosophical, and geographical contexts. The author emphasizes the craftsmanship (arte factum) inherent in these pieces, showcasing the artistic capabilities of humans while also highlighting the cultural status of artisanal techniques.

The artifacts presented in imitatio -- artificium position themselves at the intersection of art and nature, acting as witnesses to an artisanal epistemology. They engage in the discourse surrounding empiricism and experimentation, facilitating actions and fostering relationships among themselves. Haug's analysis reveals how these objects challenge conventional categorizations and demand new orders of understanding. Through her exploration, she illustrates that the formation of theory during the early modern period was not solely reliant on language, but also on the tangible and complex nature of these artistic works.

Ultimately, imitatio -- artificium invites readers to reconsider the often-overlooked virtuosity of these goldsmithing masterpieces. By shedding light on their multifaceted roles, Haug encourages a reevaluation of what constitutes art and knowledge, suggesting that these intricate creations deserve greater recognition in the broader narrative of art history.