Kulturbegegnung und Kulturkonflikt im (post-)kolonialen Kriminalroman

This collection examines post-colonial crime novels, highlighting their role in exploring cultural conflicts and hybrid identities. Kulturbegegnung und Kulturkonflikt im (post-)kolonialen Kriminalroman offers valuable insights.

This collection features twelve scholarly contributions written in both German and English, focusing on the post-colonial crime novel, alongside an interview with South African author Deon Meyer. The essays delve into the cultural analytical potential of crime literature, revealing how these narratives serve as a laboratory for post-colonial themes. They explore the complexities of hybrid identities and the quest for historical truth, which requires a nuanced approach beyond the simplistic dichotomy of good versus evil.

Crime literature has long provided a platform for addressing classic post-colonial issues. The protagonists in these narratives often embody hybrid identities, navigating the intricate landscapes shaped by colonial histories. The examination of these texts illustrates that the once-clear colonial spaces are now characterized by cultural conflict, yet the so-called 'liminal' spaces do not transform into idyllic zones. Instead, they remain vulnerable to ongoing conflicts, highlighting the persistent struggles within post-colonial contexts.

Kulturbegegnung und Kulturkonflikt im (post-)kolonialen Kriminalroman presents a compelling argument for the role of crime literature as an ideal laboratory for post-colonial narratives, intertwining elements of postmodern aesthetics with a keen awareness of social inequalities. By bringing together diverse scholarly perspectives, this volume enriches the discourse surrounding the intersection of culture and conflict in contemporary literature.