Gender in Cuban Cinema

This book examines the evolution of gender representation in Cuban cinema from 1974 to 1990, highlighting the impact of the Revolution on societal norms.

In Gender in Cuban Cinema, the author explores the intersection of gender and cinema within the context of the Cuban Revolution. Following the establishment of a film institute in 1959, the new government sought to create a cinema that aligned with revolutionary ideals. This period was marked by significant cultural transformation, where the pursuit of gender equality became intertwined with broader social reforms aimed at dismantling outdated societal norms. The book delves into how Cuban cinema not only mirrored these changing gender dynamics but also played a role in shaping them.

The analysis focuses on six pivotal Cuban films produced between 1974 and 1990, a time when the representation of gender relations evolved significantly. Through a combination of close textual analysis and theoretical frameworks drawn from feminism and postmodernism, the author presents a compelling argument that the portrayal of gender in these films progressed from modern expressions to more nuanced postmodern interpretations. This evolution reflects a broader ideological shift within Cuban society, highlighting the complexities of gender identity and relations during a transformative era.

By examining the films through the lens of gender, Gender in Cuban Cinema reveals the intricate ways in which cinema can influence and reflect societal values. The book serves as an essential resource for understanding the role of film in the cultural and ideological landscape of post-revolutionary Cuba, offering insights into how gender debates were both represented and contested on screen.