Transnational German Cinema

This volume examines the evolving landscape of Transnational German Cinema, highlighting the interplay between national identity and global influences in contemporary filmmaking.

At the heart of Transnational German Cinema is a keen awareness of the technological, social, economic, and cultural changes impacting global cinemas. The rise of new distribution channels, such as streaming platforms and online film festivals, has transformed audience engagement, allowing it to transcend national borders and traditional cinema spaces. This evolution presents unique challenges and opportunities for filmmakers and audiences alike, reshaping how we perceive and interact with cinema on a global scale.

This volume delves into the concept of German cinema as both a national and increasingly transnational entity. It brings together a collection of chapters that analyze the international circuits of development and distribution influencing contemporary German films. The contributions explore the events and spectacles that frame national cinemas, highlighting the well-known filmmakers who are at the forefront of this evolving landscape. By examining these dynamics, Transnational German Cinema seeks to redefine our understanding of what German cinema means today and how it can be interrogated and expanded.

Additionally, the book emphasizes the importance of international film production and financing, which enhances the transnational qualities of cinema that are often overlooked in marketing efforts. With a focus on film festivals, the volume explores the ongoing tensions between national and transnational identities in film culture, featuring insights from filmmakers, cultural managers, and academics engaged in researching popular culture and cinema in relation to Germany.