Bob Dylan and the Spheres of Existence

Bob Dylan and the Spheres of Existence is a readable, knowledgeable, and ultimately persuasive interpretation of Bob Dylan’s remarkable musical development in the prism of Kierkegaardian philosophy. Barnett’s tour de force uses Kierkegaard’s analysis of the three existence-spheres of the aesthetic, the ethical, and the religious to unlock the puzzle of the multiple religious images and allusions scattered through the Dylan songbook. Although primarily written for those who know their Street-Legal from their Highway 61 Revisited, Bob Dylan and the Spheres of Existence will also speak to all who are interested in the interactions between philosophy, faith, and modern culture.

-- George Pattison, University of Glasgow

Bob Dylan is arguably the most important and influential American songwriter since the early 1960s. Not only because of his well-known, and often mischaracterized, songs of protest, but also because of the way he is able to communicate through his art, with depth and integrity, a wide variety of human experiences. Among those experiences is one’s relationship to the transcendent, God. In this wonderful book, Christopher Barnett explores, with the assistance of Søren Kierkegaard (and several other thinkers), the religious dimensions of Dylan’s work. He makes a convincing case that one cannot truly understand the artist without first understanding the architectonic role that religion plays in his creative corpus.

-- Francis J. Beckwith, Baylor University

A compelling rethinking of the role of religion in Bob Dylan’s life and music as well as a substantive introduction to Søren Kierkegaard’s existential philosophy, this book is both surprisingly accessible and unflinchingly rigorous. Although lots of cool stuff has been written about Dylan, this is hands down the coolest book ever written about Kierkegaard.

-- J. Aaron Simmons, co-editor of Kierkegaard’s God and the Good Life

Christopher Barnett has done something wondrous here, writing a book that is somehow simultaneously totally surprising and yet convincing precisely because the truths it communicates seem so obvious to anyone conversant with both Dylan and Kierkegaard. Bringing these two profound-yet-mischievous writers and thinkers together at the intersection of music, theology, philosophy, and poetry, Barnett introduces them to us anew, old friends we’re meeting again for the first time, and in a way that will have readers rethinking what they think they know about them both.

-- Joseph Westfall, University of Houston-Down