In Medias Res

*Total season's marketing budget of $15,000; individual book budget of $3,000 *Newsletter and catalog feature mailed to entire Sarabande database and to An-hwei Lee's personal contacts *2,000 brochures and 1,000 postcards mailed to MFA programs, bookstores, libraries, and An-hwei Lee's personal contacts *Author tour in California (La Jolla, San Diego, Berkeley, Los Angeles)

“Lee’s strange and gemological arrangements are the measure of her gift. . . .”—from the Foreword by Heather McHugh Ambitious and original, Karen An-hwei Lee’s first book-length poem is in the form of an eccentric dictionary.  In Medias Res brings to mind the long poems of Anne Carson, though Lee is less concerned with ironies than with mysteries.  In compressed and oddly slanted “definitions,” ranging from one line, “A paper bird unopened until marriage” (“Comparison”), to longer, parable-like narratives, Lee’s poem moves through the alphabet to limn the border between language and spirit.  Often playful and slyly humorous, In Medias Res is an investigation into how God hides in language.  Karen Lee has made a brilliant entry into poetry. Karen An-hwei Lee lives and teaches on the West Coast. Her chapbook of prose poems, God's One Hundred Promises received the Swan Scythe Press Prize.  A regular contributor to literary journals, she has completed several novellas and poetry collections. Her work has won numerous university awards, fellowships, and residencies, including a fellowship from the Yoshiko Uchida Foundation. She holds an M.F.A. in creative writing and a Ph.D. in literature.