The Plains

"The countryside – the plains – sometimes feels like freedom and sometimes represents the inhospitable. Language recreates the landscape, and though ‘mysteriously it seems doomed to failure it ends up actually enhancing the landscape’. Recounting the other, recreating it with words, is also a way of remaining." —Clarín

"The Plains is a unique novel. The story has a stark simplicity that makes it all the more overwhelming and pointed." —Infobae

"Falco is a measured writer. That’s it: he writes just the right amount needed, shows some and hides the rest. Nothing is lacking and nothing goes spare in The Plains, a story that is told in small doses." —Revista Indie Hoy

"From the earliest Romantics to Juan José Saer or César Aira, Argentinian literature has spent centuries trying to populate and make sense of emptiness of the Pampas. Never before, we might say, has it conceived such a lovingly populated solitude." —Revista Otra Parte

"This is a singular text – a thorny issue to call it a novel – where there is hardly any plot, more like a sketch of fictional notes written from the subsoil, a sort of slow epic told from the field, a pure liquid flow of the ephemeral, of the fugitive and fleeting that is recounted here autobiographically as if it sought to be the story of a character who is in search of lost time and found in the ‘horizontality’ of the pampa which ‘is also the absence of height’." —El Tiempo

"To a large extent The Plains is a tribute to the traditional Argentine landscape, to its pampas, where the city cowboys, the city gauchos, go to fight against their sadness. A moving and terribly beautiful book." —Culturamas

"The novel is one of the most successful among writers from Cordoba about this flat countryside." —Letralia

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Praise for Federico Falco

"The quiet assurance with which Falco addresses rural environments represents a departure recalling the perspectives of writers from the northern hemisphere such as Denis Johnson, Knut Hamsun or Tobias Wolff." —The Times Literary Supplement

"Expansive and ingeniously crafted—an unforgettable collection." —Kirkus, starred review

"Falco proves himself as a fine storyteller." —Publishers Weekly

"These rich and authentic portraits of Argentinian lives are well worth seeking out...You could imagine Alastair McLeod or John McGahern paying homage. (5 stars)" —RTÉ

"Moving, morbid, and humorous at the same time." —LA Review of Books

"Falco is a master of the short story."" —Martin MacInnes , author of INFINITE GROUND and GATHERING EVIDENCE

"His stories shimmer like revelations – the clarity, mystery, beauty, depth, and sheer, thrilling peculiarity of ordinary life when the veil lifts. They’re exhilarating to read, just as exhilarating to re-read."" —Deborah Eisenberg , author of YOUR DUCK IS MY DUCK

"Each powerful story captivates and I cannot recommend this collection enough." —Morning Star

"When people praise Chekhov, stories like this are what they're thinking of." —James Crossley, Madison Books

"Croft’s translations of the stories in A Perfect Cemetery are loyal to the profound beauty, rootedness, and longing they portray." —World Literature Today

"At long last, Argentine author Federico Falco finally has a full-length work in translation. A Perfect Cemetery is a 2016 collection of five stories, several of which are much longer than traditional short stories (thankfully so). With confident prose, storytelling verve, and remarkable consideration for both character and landscape, Falco writes impressively well. Though plights of fancy embroil each of Falco’s characters, they are conveyed with a compassion and authenticity that make them seem utterly lifelike." —Jeremy Garber, Powell's Bookshop

"Every word and sentence, including those of Croft’s sincere and illuminating note that concludes the volume, should be savored, consumed in a rush only during those moments when you’re flying down the summer streets with Silvi on her bicycle as she searches for the boy she believes she loves." —On the Seawall

"As so often in this compelling collection, the stories only open out once you finish them." —David's Book World

"The succinctness of the plotlines in these stories is inversely proportional to their vast narrative expanse, to everything the writing is able to carve out between the sharply curtailed dialogues and all that simmers underneath." —La Nación

"Perfectly honed... [Falco’s] skill is apparent in the originality of these plots, the economy and naturalness of the characters’ conversations, and in the meticulous observation of a gesture that may encapsulate whole central motifs" —Ñ Magazine