Improvised Explosive Device

“Refusing glib analysis and easy answers, Improvised Explosive Device is a work of radical empathy, fuelled by honesty and compassion, both for those stirred to violence against minorities, and those who suffer from it. The poems are unflinching, uncomfortable and uncommonly brave, reminders that life is visceral in its pleasures and its pains, and that for some of us belonging is tenuous, a daily fight to carve a space in which we might be safe, thrive – live. It will make many of us seen, for the first time, and kick us to “speak our truth”. More than this Arji Manuelpillai shows us that the real radicalism is to love, love deeply without prejudice.” Rishi Dastidar; “The project of Arji Manuelpillai’s Improvised Explosive Device leans into the mighty disciplines of poetry, sociology, and reportage to formulate an arresting debut which contests the ways we’re conditioned to internalise notions of terrorism, nationalism and belonging. Poems here are bolstered by their proximity to their subjects; formed out of interviews and conversations with people whose stories are either sensationalised or decontextualised. Manuelpillai demonstrates how a poet can artfully draw down into the grit, the discomfort and ignominy of social life to destabilise the public imagination while never forfeiting the virtues of compassion and rigour. What remains is a bold and startling new work.” Anthony Anaxagorou; “One of these poems has a line-break segregating the phrase—before we move on—I have to fight. Arji Manuelpillai’s first collection is a ferociously savvy feat of activist scrutiny, that fights racist hate while also questioning why it, those hatemongers, and arguably all of us, feel at present so perennially up for a fight, so dominated by squalls of ire and outrage.” Vidyan Ravinthiran;“Arji Manuelpillai assures us this is not an Improvised Explosive Device as he packs his poetry in a duffle bag and invites us to accompany him through the everyday encounters - ‘real’ and ‘pixelated’- that illuminate the sometimes click-fast shift from butterfly-watcher to butterfly-killer but also the slow accumulation of the ‘dark spots’ deposited by hate, the ‘raised eyebrow’ of the CCTV outside a block of flats or humiliation carried as an heirloom. Together, his poems create an exquisitely layered, and moving, exploration of what brings individuals - from very different contexts but a shared world - to acts of violence and war. This collection of poetry is not an IED but it tears down the facades of easy explanations and lays bare what lies beneath as powerfully as if it were.” Hilary Pilkington, University of Manchester; Praise for Mutton Rolls: "The poems in this brilliant, playful debut are multifarious though gratifyingly interlinked, addressing the subjects of Sri-Lankan British identity, masculinity, friendship, grief and love. The tone is sometimes satirical, but there is no hiding behind satire in Arji Manuelpillai's work - great tenderness and beauty characterise these poems, and the poet's voice is completely original, entirely his own." - Hannah Lowe