Praiseworthy

'The great Moana Jackson declared the doctrine of discovery a legal fiction. In Praiseworthy, farce, satire, tragedy, the colloquial, myth, pun, repetition, elegy, and the epic expose the absurdity of the doctrine and the everyday lies, habits and horrors keeping it in place. Praiseworthy is simply astonishing.' Judges of the 2023 Queensland Award for Literary Fiction ---- 'I'm awed by the range, experiment and political intelligence of Alexis Wright's work. She is vital on the subject of land and people.' Robert Macfarlane, New York Times Book Review ---- 'Monumental. Praiseworthy blew me away. If you think you know what assimilation is, you should read Praiseworthy and think again.' Tony Hughes-d'Aeth, Australian Book Review ---- ‘Linguistically commodious, panoramically plotted, Praiseworthy’s 700-plus-page scale would have given Henry James a heart attack: it is a baggy monster, and more monstrous than most. Its vision is dark, humour tar-black, narration irrepressible, language roiling and rococo. All life, as in Balzac, is here … Wright gives us the living and the dead, material and non-material, Country and people; all the masters dreamed of, and all they neglected to; the entire human (and non-human) comedy … Long after the lesser concerns of contemporary fiction have ceased to matter, the work of Alexis Wright will remain.’ Declan Fry, The Guardian ---- 'The rich interrelations of ancestral spirits, larger-than-life characters, and Country all derive from the Aboriginal traditions of storytelling. But there are also signs of literary influence from every compass point on the map, including, most notably, the surrealism and magic realism of writers such as Jorge Luis Borges and Gabriel Garcia Marquez.' Jack Cameron Stanton, The Age ---- 'Praiseworthy is Alexis Wright's most formidable act of imaginative synthesis yet . . . A hero's journey for an age of global warming, a devastating story of young love caught between two laws, and an extended elegy and ode to Aboriginal law and sovereignty.' Jane Gleeson-White, The Conversation