Oldladyvoice

‘Sad, funny, sharp, and poetic: the best possible ingredients for a book. The perfect chronicle of a smart girl in a stupid world.’ Ben Brooks----‘Perfectly captures what it was like to be a kid in the mythologised ’90s.’ Vice ----‘Elisa Victoria handles the child’s narration dexterously . . . Relying on short, declarative sentences, Victoria has a knack for bringing characters to life in few words.’ New York Times ----‘As a general rule, I am opposed to fiction written from the perspective of a child. It’s not that I’m uninterested in childhood as a concept, or even in children themselves – far from it – but some writers use childhood as a lazy shortcut, an easy way to introduce such broad themes as “innocence lost.” . . . Happily, the Spanish writer Elisa Victoria’s debut novel, Oldladyvoice (translated by Charlotte Whittle), is the exact opposite of this. . . Childhood makes a lot more sense when you remember that children are basically madcap little degenerates, fascinated by their own filth, and I love that Victoria isn’t shy about portraying this.’ Phrasebook ----‘A tender and poignant story, full of light and just the right amount of wickedness.’ El Mundo ----'From the first page, a seductive universe comes into view. It's similar to love at first sight, and there's no need for hesitation, just for the most innocent surrender.' Elvira Linda, El País ----'Good novels find their protagonist's voice and make the reader feel close to them. Such is the case of Oldladyvoice. [...] The magic of Oldladyvoice also lies in its supporting characters (the grandmother, mother and mother's boyfriend) and the conversations they have with Marina, which can make you smile and break your heart in the same line.' Paula de Aguirre, Le Cool Barcelona ----'Marina is firing the last bullets of her childhood, and she does it in a clean, powerful shot of poetry, hope, and zest for life.' Cesar Prieto, Efe Eme music magazine