Komorebi

We use the 3dtotal.com website (450,000+ page views a month) and name to promote all our art titles. This includes adverts, announcements, features, and a free chapter on our site. We also use our various social media platforms to publicise the book: Facebook (207,000 Likes), Twitter (42,800 followers), Instagram (70,200 followers), and Pinterest (7,082 followers). In addition we post promotional videos for all our books on YouTube and Vimeo. Book releases are always announced to our mailing list of 83,000 subscribers. In terms of print marketing we send out promotional postcards and a catalogue with all physical orders in our online shop to promote book titles that are about to be released. We also send review copies to popular magazines, websites, and blogs such as ImagineFX and Parka Blogs, and work with sites such as Creative Bloq and CG Cookie to promote the usefulness of our books on their websites. In addition we advertise our titles on the popular Character Design References Facebook page (670,000 Likes). Artists involved in the book are always asked to promote the book to their audience – this means our titles are often mentioned on social media platforms with as many as a million followers.

Join illustrator Djamila Knopf on a magical journey through her life and art, including her Japanese inspiration and storytelling techniques.Illustrator Djamila Knopf leads us through her world, where anime-influenced characters, exquisite settings, and the process of creating fantasies enchant her fans worldwide. Having settled on her own authentic, creative style, featuring line art and a palette of delicate, yet impactful, colors, Djamila has decided to write a book that charts her journey. Japanese art was a key influence from an early age, and the book illustrates how Djamila has fused her favorite aspects of anime with her own, the result being a unique style that has captured the attention of both art fans and the industry. Her approach to storytelling and ideation are covered in depth; although artists have different approaches, Djamila shares her own experiences and insights to help readers fine-tune their own early stages of creation. As a fantasy artist, symbolism and fantastical scenes have always been part of Djamila’s world, and here she shares how she works with these, as well as finding very personal connections to even the most general of concepts. The final leg of the journey is visiting Djamila’s own studio, where she discusses being an independent artist, her daily routine and workspace, and the practical aspect of time management and motivation.