Don't You Know There's a War On?

"Todd has a good ear for tone and a deep understanding" --Emma Donoghue Praise for Janet Todd's recent work Radiation Diaries "Janet Todd's pain-filled interweaving of life and literature is a good book written against the odds - it is frank, wry and unexpectedly heartening" --Hilary Mantel "A stunningly good, tight, intelligent truthful book and one of the most touching love letters to literature I have ever read. Ah, so that's why we write, I thought" --Maggie Gee "I read it avidly, unable to stop. I love the voice, especially the tension between restraint and candour in its brevities - and yet endearingly warm and honest. It's an original voice and utterly convincing in its blend of confession, quirkiness, humour, intimacy. It's nothing short of a literary masterpiece, inventing a genre. A delight too is the embeddedness of books in the character of a lifelong reader; it is fascinating to learn of Todd's fascinating variegated past. How gallant (like the verbal gallop against mortality at the close of The Waves)" --Lyndall Gordon "Beautifully written, viscerally honest, horribly funny" --Miriam Margolyes A Man of Genius "A haunting, a gothic novel with a modern consciousness" --Philippa Gregory "A quirky, darkly mischievous novel about love, obsession and the burden of charisma, played out against the backdrop of Venice's watery, decadent glory" --Sarah Dunant "A mesmerizing story of love and obsession: dark and utterly compelling." --Natasha Solomons "Intriguing and entertaining; clever, beguiling." --Salley Vickers "A real knack for language with some jaw-droppingly luscious dialogue. I can see the author's pedigree in the story, style, and substance of the book. It seems like a wonderful sleeper: think Elegance of the Hedgehog." Geoffrey Jennings, Rainy Day Books "A haunting, sophisticated story about a woman slowly discovering the truth about herself and the elusive, possibly illusive, nature of genius." --Sunday Times "Mesmerizing, haunting pages from a gothic-driven imagination" --Times Literary Supplement Jane Austen "Monumental, powerful, learned... sets the standard" Frank Kermode, --London Review of Books "Intelligent and accessible" --Times Literary Supplement "Essential. Rendered with razor-sharp clarity for a modern audience - exceptionally useful" --Duncan Wu, Raymand Wagner Professor in Literary Studies, Georgetown University Aphra Behn: A Secret Life "Genuinely original" --Antonia Fraser, The Times "Todd is one of the foremost feminist literary historians writing in this country. She has devoted her literary career to recovering the lives and works of women writers overlooked and disparaged by generations of male literary scholars." --Independent on Sunday "Thorough and stimulating" --Maureen Duffy, Literary Review "A rip-roaring read" Michele Roberts, --Sunday Times "A brisk, entertaining, and richly detailed portrait of a unique woman and her era." --Kirkus Death and the Maidens: Fanny Wollstonecraft and the Shelley Circle; Mary Wollstonecraft "Todd is an extraordinary researcher and sophisticated critic. This biography conjures a vivid sense of a revolutionary and as a woman, and offers precise insights into the progress of one writer 's life." --Ruminator "A juicy portrait, reconstructed with insight and wit" --Entertainment Weekly "Terrific insight ... Todd's soundly and generously reimagines women's lives" --Starred Publishers' Weekly "The great strength of Janet Todd's biography lies in her willingness to unpick the feminist frame on which earlier lives of Wollstonecraft were stretched to fit." --Kathryn Hughes, Literary Review "Janet Todd brilliantly captures the absurdity in Wollstonecraft while defending the view that her life was both important and revolutionary. Like Virginia Woolf, Todd interprets this life as a daring experiment. Wollstonecraft is all but resurrected in Janet Todd's distinguished book: brave, reckless and wide open to life. Virginia Woolf claimed for Wollstonecraft a special kind of immortality. Janet Todd has strengthened the case." --Ruth Scurr, The Times