Breathe

Breathe explores the heart of Fidel Castro-era Cuba; an outsider’s look balanced by a heft of empathy to illuminate truths that lie couched between the island’s propaganda and the Western media’s skewed portrayals. The protagonists in Swimming, Taxi and Sabbatical seem to want to hold on to the indulgences that their countries offer them, while praising Cubans for the more abstemious lives they lead; in Siempre Luchando, I Never See Them Cry and The Party, romantic liaisons weather or buckle under the strain of mundane cultural assumptions; the seedy sexual aggression of Luca's Trip to Havana is undercut by the subtle yet intense lust of Breathe; while Leaving Cuba, with its haunting closing image of Havana’s night sky, is as eloquently balanced a tale of the lives of everyday Cubans as you will read - whichever path one takes, something is lost. As Cuban writer, Aida Bahr, puts it: “relying more on subtleties than on drama, [Segal] portrays the tensions and struggles, but also the joy and warmth, that fill Cubans' lives.”