Scott's Last Biscuit
The Literature of Polar Exploration
Format:Paperback
Publisher:Signal Books Ltd
Published:11th Jan '06
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Arctic and Antarctic travel writing has seized the popular imagination for the last three hundred years. Emphasizing themes of endurance, danger and self-sacrifice, tales from the poles are testimony both to human curiosity and to the often fatal attraction of alien landscapes. Figures such as Ernest Shackleton, Captain Oates and Roald Amundsen have become iconic figures in the history of exploration. Yet polar exploration has also spawned a literature with its own history and development. This book discusses the most influential and popular accounts of polar journeys, from the fourteenth-century tax collector who arrived at the Viking settlement in Greenland to find that the inhabitants had mysteriously disappeared, to Captain Robert Falcon Scott's meticulous account of his own dying. Sarah Moss offers literary readings of books by Nansen, Scott, Franklin and Parry as well as bringing to light less famous but equally important works by other explorers, missionaries and archaeologists from Europe and North America. Thematically arranged, Scott's Last Biscuit considers the morbid fascination of expeditions that go horribly wrong and the even greater interest attached to those that are rescued at the last minute. Looking at risks ranging from frostbite and polar bears to starvation and cannibalism, it also analyses the enduring appeal of romanticized polar landscapes, the relationship between national identity and planting flags in the ice, and literary approaches to polar travel from Winnie the Pooh to Frankenstein. Considering the little-charted role of women in polar history, Sarah Moss discusses Jenny Darlington's unjustly neglected American 1950s autobiography, My Antarctic Honeymoon ("for protection against the polar winds I applied lipstick"), Letitia Hargraves' moving and likeable journal of life as the wife of a Hudson's Bay Company factor in the early nineteenth century, and Isobel Hutchison's solitary travels around Greenland in the 1930s as a botanist for Kew Gardens.
Sarah Moss has written a compelling account of the hold which polar exploration has had over the imagination. She gives vignettes of a number of different expeditions, and, whilst most of these date from the nineteenth and early twentieth centuries, her historical range takes us back to the fourteenth century, and forward to the ecological challenges of our own time. What interests her in particular is what it means to write, and to read, of polar exploration: what it means for writing to become a psychological necessity against a void - and why people should wish to read of men struggling to express themselves under desperate circumstances. She has a particularly keen eye for the telling detail, and understands the importance of strong narratives: in other words, she gives a very vivid picture of what life was like in a polar ship or in a tent, or trekking across frozen wastes: we know what it. This is a book about claustrophobia and intolerance; about the strains that are put on personal relationships; about filling empty time; about finding reassurance, comfort and pleasure in grim surroundings. It is, above all, a book which examines ideals of masculinity, as they were formed in the nineteenth century, and as we see them come under almost unbearable stress. The triumph of Sarah Moss's book is that it returns our attention to the physical and mental experience of attempting to reach the poles. Rather than being absorbed by the aesthetic, this is a book about humans under extreme conditions, and is extremely revelatory not just about their individualized responses - ranging from stoic cheerfulness to selfishness, derangement, and despair - but about the way in which these responses are revelatory of the cultures which formed them. The book is a vivid study of what it is to be very, very cold - and to see one's companions, and potentially oneself, die as a result of exposure to some of the world's most uninhabitable terrain. It is an examination of those who both seek, and who seek to express, forms of suffering which they have voluntarily chosen for themselves. - Kate Flint, Rutgers University
ISBN: 9781902669878
Dimensions: unknown
Weight: 290g
256 pages