The Pleasure Ground

Poems 1952-2012

Richard Murphy author

Format:Paperback

Publisher:Bloodaxe Books Ltd

Published:25th Apr '13

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The Pleasure Ground cover

Richard Murphy (1927-2018) was one of Ireland’s most distinguished poets, known particularly for poems drawing on the people and history of the west of Ireland with classical rigour and 'unvarnished' clarity. He emerged in the 1950s with John Montague and Thomas Kinsella as one of the three major poets in the new Irish poetic renaissance. The Pleasure Ground expands the scope of his much acclaimed Collected Poems of 2000 to include a selection of new poems along with an appendix featuring illuminating commentary on the historical and personal background of some of his most notable work, including 'The Cleggan Disaster', 'The God Who Eats Corn', The Battle of Aughrim, and the poems of High Island. Poetry Book Society Special Commendation.

One of the truly great things about Richard Murphy's Collected Poems is just how alive the book is to the west of Ireland: its history and people, the landscape, customs and folkways of making a living (as Murphy did) from the sea. But it is not as pastoral that these poems really live; the western islands and the terrain become austere emblematic presences, dramatising an intense struggle for personal and cultural identity. Traversing this geography of the mind, Murphy auspiciously reinvented in The Battle of Aughrim (1968) an historical frieze of war and conflict in the late 17th century spliced through with images drawn, almost cinematically, from 20th-century Ireland - Richard Murphy is an intriguingly available poet and, like those of Robert Graves, his poems have all the bright music of great love songs. -- Gerard Dawe * The Irish Times *
Oscillating from beginning to end and from page to page between narrative and lyric, public and private, love poem and elegy, The Pleasure Ground is a hugely significant achievement. Now well into his ninth decade, Richard Murphy continues to be a poet of great fortitude and resource, one of the finest of our time. -- Michael Longley * The Irish Times *
Richard Murphy's verse is classical in a way that demonstrates what the classical strengths really are. It combines a high music with simplicity, force and directness in dealing with the world of action. He has the gift of epic objectivity: behind his poems we feel not the assertion of his personality, but the actuality of events, the facts and sufferings of history - I don't know of any other contemporary poet who has so redeemed the classical manner. Every line is unique and wrought, somehow organic, yet the whole thing is simple. The plainest statements have an almost plastic life and solidarity. And the final effect is of a formal beautifully sustained music of essentials. This kind of poetry, which is nowadays so terribly difficult to write, reminds us that poems too must take their final test of health in the world of action. -- Ted Hughes

ISBN: 9781852249861

Dimensions: unknown

Weight: unknown

288 pages