Harold Curwen and Oliver Simon Curwen Press

This book explores the career of Harold Curwen, a key figure in the printing industry's technical revolution, highlighting his innovations at the Curwen Press and the impact on fine printing.

Harold Curwen and Oliver Simon Curwen Press is a compelling addition to the Design series, chronicling the career of Harold Curwen, a significant figure in the technical revolution that reshaped the printing industry. The narrative explores how, prior to World War I, the private presses were responsible for some of the finest books produced. However, the post-war era saw a shift as technological advancements allowed a select group of commercial firms, notably the Curwen Press, to take center stage in high-quality printing.

Joining the family business in 1908, Harold Curwen quickly recognized the potential for modernization. By 1916, he had begun a comprehensive overhaul of the operations, capitalizing on the wartime labor shortage to introduce modern machinery. His pioneering efforts in offset lithography positioned the Curwen Press as a leader in fine color printing, while he also introduced the pochoir technique of hand-stenciling to England. This innovative spirit was evident during the Curwen Press's golden decade starting in 1922, marked by the publication of notable works such as The Woodcutter's Dog and Four Comedies.

The Curwen Press continued to thrive for decades, producing distinguished works, particularly illustrated books. The firm became renowned for its collaboration with artists like Barnett Freedman, creating iconic posters for the London Underground. Recognized for its consistent branding and superb typography, the Design series has garnered accolades, including the Brand/Series Identity Category at the British Book Design and Production Awards 2009, affirming its importance in the field of design literature.