Bloodshot Monochrome

Praise for Transformatrix:

A rising star.

* * Observer * *
Thrilling. Has a multi-dimensional richness. It's a bold, brassy work. * * Independent on Sunday * *
Draws on rap, jive and disco rhythms as much as the formal subtleties of free verse. Agbabi is a fine poet, and her linguistic wit carries satirical fire. * * Daily Telegraph * *
Combines cutting satire and outright celebration. * * Big Issue * *
[Patience Agbabi's] love of the English language, and finding new ways she can subvert it, shines through. Honest, darkly funny and endlessly creative, she takes the sonnet, chats it up, tattoos it, gives it some motherly advice and then sends it away again. -- Claire Sawers * * The List * *
Still as hard-hitting on contemporary themes of race, sex and identity as she was when she published her first collection . . . combines the mastery of the tools of her poetic trade with contemporary and very personal themes . . . Her words are crisp, clear and beautiful to read. * * Sunday Business Post * *
Agbabi frisks the sonnet in a way it's never been frisked before . . . Thrumming with energy and verve, she brings the stage to the page in her tight rhythms and adherence to rhyme . . . A confident, confluent performance from a master of "lyrical slang". -- Peggy Hughes * * Scotland on Sunday * *
Charged with passion, wit and sheer inventiveness. * * New Internationalist * *
Moving, in a subtle, understated way; it's characteristic of how Agbabi embeds the profound within the simple . . . These poems - really choppy, rap-inspired prose locked into the 'straitjacket' of the sonnet - showcase Agbabi's considerable wit . . . an adept and engaging take on cultural in-betweenness. * * Poetry London