We Are Now Beginning Our Descent

Astonishing. A love story that owes everything to the great collision of Osama bin Laden and Bush Jr's foreign policy. An intensely flavoured excavation of our times . . . wholly original. * * The Times * *
A brilliantly constructed contemporary novel, illuminated with wit and intelligence on almost every page. * * Daily Mail * *
Damnably hard to put down, with the momentum and trajectory of a well-aimed rocket. A book to keep one reading through the small hours. Terrific. -- Jonathan Raban * * London Review of Books * *
A truthful and powerful novel about love, friendship and the struggle to be true in a world that has lost its grip on certainties. * * New Statesman * *
Compelling and admirable . . . Kellas is one of the more intriguing anti-heroes of recent fiction. -- Matt Thorne * * Sunday Telegraph * *
Genuinely affecting. * * Sunday Times * *
Always readable, the book has pace and assurance. A highly intelligent novel and edgily contemporary. * * Independent * *
Conscientious and courageous. * * Guardian * *
We Are Now Beginning our Descent is really a love story, a fine successor to The People's Act of Love. * * Spectator * *
Meek has created not just an entertaining novel, but a valuable comment on some of the most contentious issues of our time. * * Irish Times * *
Partly a thought-provoking . . . meditation on writing, modern warfare and moral responsibility, it is also a poignant love story. -- Katie Owen * * Sunday Telegraph * *
Marvellous . . . interrogates its subject matter with intensity, seriousness and balance . . . An existential masterpiece. * * Guardian * *
Supremely enjoyable and smartly written, with a scale that attempts not only to understand something about the world and the West's place in it, but something more timeless: men and their trouble understanding love. -- Colin Waters * * Sunday Herald * *
James Meek's novel is full of startling vignettes, caustic observations and fine black comedy. -- Toby Clements * * Daily Telegraph * *
Meek's terrific prose batters the notion of non-combatant neutrality with a couple of explosive set pieces . . . a terse, adrenaline-charged plot that punctures a fragile love story with uncomfortable questions about ideals and reality. -- James Urquhart * * Financial Times * *
He skilfully weaves a contemporary take on war, love and the demands of the marketplace on those who seek to be poets, not bards with his characteristic segueing from ont time and place to another, or one perspective to another, that keeps the reader on constant alert. -- Lesley McDowell * * Herald * *