Fauna

"Fauna" is not just a collection of individually rewarding poems but a carefully structured whole. Using metaphors drawn from the fauna and flora of Jamaica and images drawn from painting as the over-arching devices, Bishop explores the tensions between plenitude and emptiness, presence and absence, the nourishing and the poisonous in her memories of the rural Jamaican childhood that has shaped her. There is the lushness of scene, but also the way that 'the smell of mango' will always be associated with childhood trauma, or the richness of avocado contrasted with the allamanda who admits, 'Everything alive develops a defence...Mine is poison; all parts of me are toxic'. There are imagined scenes that are highly focused and there are the blurred images of the father who is always at the edge of the photograph. And from the perspective of New York, Bishop sees herself as another kind of fauna, the Jamaican birds who can be found everywhere. 'In North America three or four species/have been identified from the peculiar way they sing.' This is a moving and heart-felt collection, but Bishop never allows the siren voice of longing for return to become sentimental.
Always there is the drive towards the artist's desire to remake the world and to work meticulously at what can be left in, what must be taken out.