Colors of the Concepts

Examines how key philosophers shaped their ideas through direct engagement with specific artworks, highlighting the profound influence of painting on philosophical thought

This book is designed as an academic monograph but is intended for a general audience.

This short monograph explores the intersection of philosophy and painting, examining how major thinkers from Hegel to Merleau-Ponty developed key concepts through their engagement with specific artworks. Unlike traditional surveys, my book focuses on philosophers’ ideas as they emerged from concrete encounters with paintings, offering both scholars and general readers fresh insight into philosophical thought. By analysing these interactions, the book illuminates the often-overlooked connection between visual art and abstract reasoning, tracing the evolution of philosophical ideas through tangible, visual experiences. This approach not only bridges aesthetics with other philosophical branches but also presents a unique contribution to the history of ideas, demonstrating how painting has shaped philosophical thoughts. Ultimately, this work provides a novel perspective on familiar philosophical concepts, revealing the profound influence of art on intellectual history.