The Reading Figure in Irish Art in the Long Nineteenth Century
Exploring gender and cultural shifts through reading portraits
Format:Paperback
Publisher:Anthem Press
Published:7th Mar '23
Should be back in stock very soon
This paperback is available in another edition too:
- Hardback£80.00(9781785276446)
This insightful exploration of Irish art highlights the significance of reading figures in shaping gender perceptions during the long nineteenth century. The Reading Figure in Irish Art in the Long Nineteenth Century offers a rich analysis of cultural transformations.
This book delves into the fascinating world of Irish portraits from the long nineteenth century, focusing specifically on figures depicted reading or holding a book. During this period, reading fiction was often perceived as unmanly, while the practice of 'silent reading' emerged as a means for women of privilege to engage with literature privately and extensively. The portrayal of these women in portraits played a crucial role in shaping the concept of the 'New Woman' in Ireland, highlighting the changing societal norms surrounding femininity and intellectual engagement.
The theme of reading has been a persistent motif in Western art, particularly prominent in the nineteenth century. This book closely examines how Irish artists, whether born, trained, or practicing in Ireland, represented the act of reading. It investigates the varying values associated with reading and how these reflect contemporary perceptions of the reader. The selected artworks are framed within the broader context of Irish history, culture, and politics, a time marked by significant social and cultural transformations. Many of the artists and their subjects were Anglo-Irish Protestants, and the book discusses how both Imperial and nationalist ideologies often marginalized reading, especially fiction, as a less masculine pursuit.
Despite these prevailing attitudes, the book reveals that some male figures are still depicted reading, often failing to conform to traditional masculine ideals. The rise of the novel and the advent of 'silent reading' empowered women from the middle and upper classes, enabling them to explore a diverse array of imaginative literature without the scrutiny of patriarchal oversight. The visual representation of women as serious readers not only reflects but also contributes to the emergence of the 'New Woman' in Ireland, marking a significant cultural shift during this era.
‘Cusack’s book draws the reader into an imaginary world of readers, contextualizing representations of mostly women readers through larger concepts of class, cultural, and gender identities in modern Ireland. With a prevalence of women artists representing female sitters, Cusack probes aesthetic and iconographic strategies for representing interiorized thought while deflecting penetrability in the era of the New Woman.’ — Dr. Emily Burns, Auburn University, US
‘In this highly original study, Tricia Cusack argues that the reading figure in art offers a lens through which to apprehend politics at a variety of levels, from the micro-politics of gender to public suffrage agitation, and offers vivid evidence of the emergence of the “New Woman” in sections of Irish society. Reading evidence with creativity and care, and developing valuable typologies of reading figures in Irish art, Cusack argues persuasively for the emergence of a distinctive Irish portraiture tradition over the long nineteenth century, and for treating it as both an index and builder of important gendered identities in the Irish context.’ — Kevin James, University of Guelph, Canada
This engaging and erudite volume fizzes with ideas and originality and elsewhere: Cusack's engaging style makes light work of dense material, while never compromising on erudition, in a cohesive overview that integrates histories of literature and visual art by Emer McGarry, in Irish Arts Review, Summer (June-August 2022), pp. 116-117.
ISBN: 9781839988707
Dimensions: 229mm x 153mm x 26mm
Weight: 454g
188 pages