Macbeth

'Magical and revelatory... Max Webster's production is so chilling and exhilarating that watching it is like discovering the play for the first time'

* Telegraph *

'Cool, cocky and utterly arresting... there is an intensely focused vision behind [this production]. Superbly directed by Webster, it is full of wolfish imagination and alarming surprise. The action takes place at under two hours' traffic yet it is not a classically fevered Macbeth but coolly creepy, and horrifying'

* Guardian *

'An ingenious and uncanny production full of shards of darkly glittering ingenuity... a sensory, helter-skelter plummet into horror, paranoia and psychological disintegration... a production of galvanising flair and originality, with two absorbing, highly charged and intricate performances at its centre. It's a murky psychodrama in which minds, bodies and body politic are shattered, and where nothing, thrillingly, is quite what it seems'

* The Stage *

'A Macbeth for the digital age... stylish and evocative... never for a moment can you tear your attention away... richly imaginative... The sense of mystery and of evil is all-encompassing... Macbeth has only to whisper his darkest thoughts and we are there, with his vaulting ambition, inside his head'

* WhatsOnStage *

'Astonishing... one of the most powerful and interesting takes on the play I've ever seen'

* Sardines Magazine *

'A radically inventive production that gives Shakespeare's tragedy a new lease of life'

* Theatre Weekly *

'The unique concept of this particular rendition propels the audience into 11th-century Scotland, and deeper into Macbeth's downfall than ever before... the technological risk pays off in big ways; witches whisper in your ears, ravens swoop from the skies and above all, the characters' innermost thoughts are spoken as if to you'

* West End Best Frie