Meshes of the Afternoon

This book offers an in-depth exploration of Meshes of the Afternoon, highlighting its significance in avant-garde cinema and feminist filmmaking.

Filmed in 1943 by Maya Deren and her then-husband Alexander Hammid, Meshes of the Afternoon is often regarded as a cornerstone of American avant-garde cinema. Created on a modest budget of just $274.90 in their bungalow above Sunset Boulevard, the film explores complex themes through a series of dreamlike sequences that delve into the female experience and domesticity. This intricate narrative structure resonates with the Hollywood melodramas of its time while simultaneously embodying the unsettling qualities characteristic of film noir, making it a unique cinematic experience.

John David Rhodes offers an insightful analysis of Meshes of the Afternoon, tracing its historical context back to the lives of Deren and Hammid, with a particular focus on Deren's artistic vision. He interprets the film as a manifestation of Deren's deep engagement with modernism and socialist politics. Rhodes emphasizes that while the film serves as a significant reference point for feminist filmmakers and experimental artists, it also stands as a broader commentary on political art, reflecting the societal issues of its era.

In the foreword of this new edition, Rhodes highlights the lasting impact of Meshes of the Afternoon on feminist and avant-garde filmmaking. He underscores the film's transformative role in shaping the landscape of modern cinema and its continuing relevance in contemporary discussions about gender and artistic expression.