This Little Art Signed & Numbered Indie Exclusive Edition

This Little Art is published here as a limited edition casebound hardback as part of Fitzcarraldo Editions’ First Decade Collection, featuring marbled endpapers and signed and numbered bookplates.
The First Decade Collection is a hardback limited edition series featuring ten important books from Fitzcarraldo Editions’ first decade of publishing. Designed by art director Ray O’Meara, each book is casebound in fine linen cloth with custom marbled endpapers and signed and numbered book plates, with a run of 1000 copies each.
The First Decade Collection reflects the breadth of Fitzcarraldo Editions’ contemporary publishing, which focuses on ambitious, imaginative and innovative writing, both in translation and in the English language, and marks a decade of publishing. The 2015, 2018, 2022 and 2023 Nobel Prize in Literature laureates Svetlana Alexievich, Olga Tokarczuk, Annie Ernaux and Jon Fosse are all included in the series, out on 24 October 2024.

An essay with the reach and momentum of a novel, Kate Briggs’s This Little Art is a genre-bending song for the practice of literary translation, offering fresh, fierce and timely thinking on reading, writing and living with the works of others. Taking her own experience of translating Roland Barthes’s lecture notes as a starting point, the author threads various stories together to give us this portrait of translation as a compelling, complex and intensely relational activity. She recounts the story of Helen Lowe-Porter’s translations of Thomas Mann, and their posthumous vilification. She writes about the loving relationship between André Gide and his translator Dorothy Bussy. She recalls how Robinson Crusoe laboriously made a table, for him for the first time, on an undeserted island. With This Little Art, a beautifully layered account of a subjective translating experience, Kate Briggs emerges as a truly re- markable writer: distinctive, wise, frank, funny and utterly original.

‘Kate Briggs’s This Little Art shares some wonderful qualities with Barthes’s own work – the wit, thoughtfulness, invitation to converse, and especially the attention to the ordinary and everyday in the context of meticulously examined theoretical and scholarly questions. This is a highly enjoyable read: informative and stimulating for anyone interested in translation, writing, language, and expression.’ - Lydia Davis, author of Can’t and Won’t.

‘I have been thinking, many weeks after having finished it, of Kate Briggs’ truly lovely This...read more...