Habitat

Bashabi Fraser’s timely new collection, Habitat, speaks with an acute awareness of the richness of our world and of the perils that increasingly confront it. A great gallery of birds, trees, cats and people, in landscapes of her two countries, India and Scotland, are vividly present here in poems of many shapes, all full of a love that is both fearful and full of hope.PETER FRANCE

A warm and passionate hymn to the richness of the planet, from the Arctic to Arthur's Seat, Glasgow to Kolkata, lamenting the losses of nature in our time but exulting in human relationships, journeys and ‘the call of home’.RUTH PADEL

I headed straight for the birds – well, that was the idea, but I got waylaid by the Prologue and the Foreword, particularly those fireflies dancing to a subtle rhythm and rhyme scheme, scattering ‘our suppressed thoughts’. So I left the river to its ‘churning burial ground of eternal oblivion’ only to find that the first bird to speak is caged and full of righteous anger, and then that it submits its freedom to serve a caged human.

These poems come tumbling out of a copious basket. Observation is sharp and there is much humanity and positivity. They speak straight to you. That’s why I like them so much. JOHN PURSER

In these dark days for the planet, what shines through Bashabi’s work is a deep love for family and friends, for humanity at large and the natural world. Spiritual at their core, the poems celebrate our oneness, sing their song of hope. ALAN SPENCE

One of the effects of the climate crisis has been the vitality of a poetry that is decidedly public-facing; a poetry whose urgency often dispenses with the page. The tensions behind such a development run through Habitat. The core of the collection may be found in personal encounters, but its ‘argument’ extends far beyond that. The ‘habitat’ – the community of which Bashabi Fraser writes – encompasses all living things. It is a book rich in praise, but also freighted with warning. TOM POW