iTake-Over

This book, iTake-Over, argues that major record labels have actually strengthened their market position in the digital era, contrary to popular belief.

In iTake-Over, sociologist David Arditi presents a compelling argument that challenges the prevailing narrative surrounding the impact of digital music on major record labels. Contrary to the claims made by the Recording Industry Association of America, Arditi contends that these corporations have strategically embraced digital technology to enhance their profits rather than diminish their power. This updated edition delves into the transitions from the download era to the streaming era, illustrating how large corporations have adeptly appropriated new technologies to maintain their dominance within a capitalist framework.

The second edition of iTake-Over critically examines the ways in which the recording industry has fortified copyright laws to serve its interests, often at the expense of the public good. Arditi expands the discussion by challenging the commonly held belief that digital music has weakened the hold of major record labels. Instead, he highlights how these companies have adapted to the digital landscape, finding themselves in a more advantageous financial position than before the rise of platforms like Napster.

Arditi's analysis reveals the tangible effects of digital distribution on the music industry, emphasizing the reduced production and distribution costs that have contributed to the resurgence of major labels. Rather than simply resisting change, the RIAA and these corporations have redefined their strategies to thrive in the evolving market, raising important questions about the legitimacy of their claims to profitability over a shared cultural experience.