Heavy Metal Music in Argentina
In Black We Are Seen
Nelson Varas-Díaz editor Emiliano Scaricaciottoli editor Daniel Nevárez Araújo editor
Format:Hardback
Publisher:Intellect
Published:7th Aug '20
Currently unavailable, and unfortunately no date known when it will be back
This hardback is available in another edition too:
- Paperback£21.95(9781789387483)
An in-depth regional discussion of heavy metal music, Heavy Metal Music in Argentina explores metal music as a catalyst for social change and site for engaging political reflection. Originally published in Spanish and sold locally in Argentina, this is the first time the work has been available in English.
Edited by leading researchers, this collection addresses the music’s rituals, circulations, cultural products, lyrics and allows readers to rethink the place of heavy metal within Argentinean politics and economics. Exclusively written by members of the Group for Interdisciplinary Research on Argentinian Heavy Metal (GIIHMA) in a communal approach to scholarship, the book echoes the working-class voices that marked early post-dictatorship metal music in Argentina.
This is the first collection of essays on Argentine metal music. It has opened up research channels between different universities in the country while also engaging a non-academic audience, and widening the potential market for the book.
The book makes an interdisciplinary examination of a complex and fascinating object: it allows for the examination, discussion and analysis of its nationalist postulates, relationship with the Creole culture (for example, with nineteenth-century ‘gauchesca’ literature), indigenism, and with the political processes of contemporary Argentina.
Metal Music Studies, as an academic area of inquiry, has focused mostly on the music’s cultural components in Europe and the United States. The few books that have addressed metal music as a global phenomenon, have severely neglected the inclusion of Latin American countries. Argentina, with the largest and oldest metal scene in the region, has also been neglected in the existing literature. There is a growing interest in this area, as demonstrated by the emergence of documentary film on metal music in Latin America.
The book has potential use as a resource on courses in several disciplines including sociology, cultural studies, musicology, ethnomusicology, sociology and Latin American studies. It will also be of interest to the more general readers with an interest in the musical genre.
'This book asserts that metal music is part of Argentinian culture. It is a compelling read, as both an illuminating and a pointed rebuke. Illuminating in that it opens a window onto a contained and vibrant subculture kept within Argentinian borders, emerging in the 1980s under a military dictatorship; a rebuke in the sense that the reach of metal music and metal music studies can no longer be confined to the global North. This collection of chapters, translated from Spanish, shows that the Argentinean metal scene is deeply embedded in a social and political currency that reaches far beyond its borders. The hope is that this work paves the way for an increased attention to metal music subcultures, one that generates new knowledge for a truly global audience.' -- Dr Niall Scott, Reader in Philosophy and popular culture, University of Central Lancashire
'This is an indispensable collection for anyone who cares about metal in the global south, or about music and politics in general. A fascinating, groundbreaking contribution to the emerging field of global metal studies.'
-- Jeremy Wallach, Professor, Bowling Green State University'The volume brings together seven works by eight authors who deal in depth with various aspects of heavy metal music and culture in the South American country. [...] As Scaricaciottoli, Varas-Diaz and Nevárez Araujo point out in the introduction, the importance of this work is based on the understanding that metal music in Argentina has built its own culture, a culture from the south that should be understood not as an appendix or derivation of their counterparts in the global north, and that their political dimension is inextricably linked to processes of emancipation and social change.'
-- Sergio Miranda Bonilla, Tachas 451 - Es Lo Cotidiano [translated]'Heavy Metal Music in Argentina: In Black We Are Seen works on the axis of the social and political implications of heavy metal in our country. In that already stale controversy that places the genre within a deaf bell that separates it from the historical reference and its production conditions, the essays highlight its political will and focus on the working class represented in a lyrical corpus that starts in post-dictatorship, extends to the crisis of 2001 and a few more years. [...] The publication of this book in English is an exceptional opportunity to make visible in the transnational field the studies on heavy metal by Argentine researchers who work from other reading parameters, crossed by their experience as well as by their critical apparatus, looking from the inside and not with a magnifying glass or tweezers to keep your fingers clean.'
-- Sandra Gasparini, Código y FronteraISBN: 9781789382990
Dimensions: 244mm x 170mm x 10mm
Weight: 413g
129 pages