The Flute in Scotland from the Sixteenth to the Eighteenth Century

This book examines the flute's significance in Scottish music from the sixteenth to the eighteenth century, challenging myths about its players and exploring connections to bagpipe traditions and contemporary practices.

"The Flute in Scotland from the Sixteenth to the Eighteenth Century" delves into the significance of the flute within the context of Scottish music, particularly during the long eighteenth century. The book examines various aspects of flute music, including notable players, the repertoire, manuscripts, and the instruments themselves. It challenges the widely held belief that the flute was introduced to Scotland only after 1725 and that it was predominantly played by affluent men. Through thorough research, the author presents evidence that contradicts these assumptions, revealing a more nuanced history of flute playing in Scotland.

The book also highlights the contributions of women to flute music, showcasing instances where ladies engaged with the instrument. Additionally, it explores intriguing connections between flute playing and the traditional bagpipe music of Scotland, suggesting a richer tapestry of musical interaction than previously recognized. The author thoughtfully considers why the flute eventually faded from prominence among Scottish instruments, offering insights into cultural shifts and musical preferences.

To provide a contemporary perspective, the book includes interviews with modern flute players in Scotland, illustrating how the tradition has evolved and persisted into the present day. By addressing these various themes, "The Flute in Scotland from the Sixteenth to the Eighteenth Century" fills a significant gap in the understanding of Scottish musical heritage and the historical role of the flute, making it an essential read for those interested in the intersection of music, culture, and history in Scotland.