Final Cut
Format:Hardback
Publisher:Vintage Publishing
Published:26th Sep '24
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‘An instant classic from a master of the form’
PUBLISHERS WEEKLY
An arresting story of an artist's obsessions, from the beloved and award-winning author of Black Hole.
As a child, Brian and his friend Jimmy would make home movies in their yards, coaxing their friends into starring as victims of grisly murders and smearing lipstick on them to simulate blood. Now an aspiring filmmaker, he, Jimmy and new girl in town Laurie – his reluctant muse – set off to a remote cabin in the woods.
Armed with an old camera, they film a true sci-fi horror movie where humans are born of disembodied alien wombs, in homage to The Invasion of the Body Snatchers. But as Brian's affections for Laurie go seemingly unreciprocated, Brian writes and draws himself into a fantasy where she is the girl of his dreams – both his damsel in distress and his saviour.
Final Cut blurs the line between dreams and reality, imagination and perception in this astonishing look at what it truly means to express oneself through art.
Charles Burns, Eisner Award-Winner, 2006
Beautifully disturbing...A masterpiece of mood. This book is still haunting me! -- George Kay, writer of TV-series Lupin and Hijack
I love everything about this book: the story, the drawings, its way with all things extraterrestrial… It’s wraparound wonderful, as close to immersive as any comic could be… a book to be read and reread * Observer *
Burns' new book is a joy to read and a welcome return to his long form storytelling that he’s been sorely absent from for years. The central plot is beautifully told with subtle meanderings from a bygone age of youth, but accompanied with the strange and often disturbing imagery we’re so used to seeing from a creator at the top of his game. A great melding of both style and substance. -- Charlie Adlard, author of The Walking Dead
Black Hole is best graphic novel of the year... One of the most stunning graphic novels yet published * TIME *
Charles Burns' comics are fluid, smooth and as solidly built as a vintage TV set, but they shudder with the chill of the uncanny * New York Times *
The confidence with which Burns positions himself within the larger map of other writing and art is entirely earned * New Statesman *
Sugar Skull is one of the most vividly drawn and painfully and honest expositions of male guilt I’ve ever read * Observer *
A striking celebration of cinema's power and a chilling acknowledgement of its limitations. * Kirkus Reviews *
Final Cut is among Burns’s best work, its huge full-page drawings pushing your buttons in the moonlit American outdoors * Guardian *
ISBN: 9781787335219
Dimensions: 290mm x 220mm x 26mm
Weight: 1240g
224 pages