A Perfect Mirror

'Mature, intense, necessary – in turbulent times, the poems of A Perfect Mirror haunt and hold the reader, showcasing the gifts of a poet as accomplished in evoking the natural world as she is in communicating a powerful psychic landscape. Deploying imagery at once idiosyncratic, apposite and utterly memorable, with an remarkable feel for the line, and terrific sonic effects, Corbett never fails to move and excite, prompting me to return again and again to wonder, with not a little envy: how does she do it? Here is a talent who illumines darkness with a fierce emotional and intellectual rigour. There can be no doubt: Sarah Corbett is one of the finest, most essential poets now writing.'
Kathryn Gray
'A Perfect Mirror flickers more secrets about the Calder Valley into view than a mirror ever could. Marvelling at moss and the moon of ice, elsewhere plying the mystery of puddles, these miraculous poems nurse the glint of sun into gold. Even the sky begins to speak, graced by the ghosts of Wordsworth, Plath, Bronte and Austen, as scaling each hill entails a hike into the imagination, “where the mind goes gliding beyond the shores of its ocean... moving towards a horizon we will never touch”.'
Jade Cuttle, Poetry Book Society
'Often, cautious students of poetry worry that their poems oughtn’t be about one ‘controversial’ thing or another. What Corbett has shown is that they should take the opposite approach: fill their poems with all the savages and saints which make up the human condition. Only then will the mirror of poetry be perfect.'
Jake Campbell, Poetry School
'Corbett’s writing on nature is both jubilant and troubled, lit by the joys of exploring the countryside of West Yorkshire, but equally alert to environmental problems caused by humans...When Corbett lets her enthusiasm for the natural world loose her writing is energizing...'
Suzannah V. Evans, Times Literary Supplement
'Corbett proves herself throughout these poetic depictions of nature to be a timeless and sensual writer. She is subtly sonnet-like in her portrayal of opposing concepts, pitting safety and surety against risk, the rural against the urban, the here versus the elsewhere, and the then versus the now.'
Biana Pellet, The London Magazine
‘Corbett’s creative engagement with earlier literary figures, including Marvell, Blake, and especially Dorothy Wordsworth and Sylvia Plath, is only part of the pleasure of this book, in which the poet treads carefully from line to line while retaining much of the wildness of spirit and thought she so clearly values.’
David Starkey, Santa Barbara Independent 
Reviews ‘A Perfect Mirror reflects brilliantly on the craft off its maker, on the places of its making and on the literary heroines and heroes with whom, it proves, Corbett is amply deserving to be ranked.’
Mike Farren, The High Window
'Corbett’s creative engagement with earlier literary figures, including Marvell, Blake, and especially Dorothy Wordsworth and Sylvia Plath, is only part of the pleasure of this book, in which the poet treads carefully from line to line while retaining much of the wildness of spirit and thought she so clearly values.'
David Starkey, Santa Barbara Independent