Samuel Richardson as Anonymous Editor and Printer
Recycling Texts for the Book Market
Format:Hardback
Publisher:Anthem Press
Published:5th Mar '24
Should be back in stock very soon
Offers a comprehensive account of Samuel Richardson’s numerous editorial interventions in producing books and pamphlets from his press.
During the first two decades of his career, Richardson’s role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (1732-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton’s anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope’s coquette Belinda but even partnering with Sarah Chapone’s subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
A fascinating and informatively detailed study that rescues a once influential printer/publisher from an undeserved obscurity, "Samuel Richardson as Anonymous Editor and Printer: Recycling Texts for the Book Market" will be of special interest to students, academicians, and bibliophiles concerned with the history of publishing in 18th Century Britain. -- Midwest
“Building on his valuable explorations of Richardson’s early and anonymous journal publication, Dussinger offers carefully annotated texts of 7 contributions to the True Briton (1723–4) and 16 to the Weekly Miscellany (1733–8), all significantly signed with the names of women. Drawing on a half-century of critical engagement with Richardson novels, he is able to establish convincingly the importance of these early texts to our understanding of the great fictions that follow.” — Melvyn New, Professor Emeritus, University of Florida
“Building on his important articles on Richardson’s press and editions of his correspondence, John Dussinger presents periodical essays in which Richardson impersonated women letter-writers to support the sex’s autonomy and to criticize mandated oaths of allegiance. The texts—prefiguring his epistolary novels—reveal Richardson’s religious and political values and his support for the periodicals.” — James E. May, Professor Emeritus, Penn State University
“This is an important scholarly addition to what we know about Samuel Richardson. William Sale’s bibliographical study of Richardson’s press has long cried out for someone able and willing to make sense of Richardson’s full activities as a writer and printer. Dussinger persuades us that these works he attributes to Richardson are by him. He sheds light on the deeper and literal sources of Clarissa, the real people who might have gone into the composite array of characteristics that make up the novel’s two major characters. He also brings out the convoluted attitudes that make up Richardson’s form of feminism. Richardson was fighting the increase of secularism in the era and a transformation of social norms, which, among other things, insisted on more respect for women and closer containment of their sexual and familial lives.” — Ellen Moody, Instructor at Oscher Institute of Lifelong Learning at American University
I would recommend John Dussinger’s book to any university library supporting eighteenth-century courses. He is a major Richardson scholar. The argument that before Richardson embarked on Pamela, he took the woman’s point of view in letters to the journals he himself printed, provides new insights into his much-debated feminism. — Jocelyn Harris, Professor Emerita, University of Otago, New Zealand.
Dussinger provides convincing linguistic, contextual, and historical evidence in support of his attributions. He does terrific detective work throughout his introduction, headnotes, and footnotes, piecing tantalizing hints and references together into persuasive vignettes. He brings a refreshing sense of excitement and joy to solving the various puzzles Richardson seems never to tire of leaving us. - Journal for Eighteenth-Century Studies
ISBN: 9781785273537
Dimensions: 229mm x 153mm x 13mm
Weight: 454g
148 pages