Minarets in the Mountains

. Important and timely travel writing about a forgotten part of Europe . Unique perspective: the first account in English by a European Muslim travel writer exploring indigenous European Muslim culture and heritage . A high-profile, far-reaching press, broadcast and social media campaign . Muslim Millennials are one of the fastest growing travel segments - the global Muslim travel market is estimated at more than $300bn by the end of the decade (source: Mastercard)

Travel writing about Muslim Europe. A journey around Eastern Europe and the Western Balkans, home to the largest indigenous Muslim population in Europe, following the footsteps of Evliya Celebi through Serbia, Bosnia, Albania, North Macedonia, Kosovo, Montenegro. A book that begins to decolonise European history.A magical, eye-opening account of a journey into a Europe that rarely makes the news and is in danger of being erased altogether. Another Europe. A Europe few people believe exists and many wish didn't. Muslim Europe. Winner of a BGTW Members' Excellence Award: Travel Narrative Book of the Year - The Adele Evans Award. Longlisted for the Baillie Gifford Prize 2021. Shortlisted in the Edward Stanford Travel Writing Awards 2022: Stanford Dolman Travel Book of the Year. Londoner Tharik Hussain sets off with his wife and young daughters around the Western Balkans, home to the largest indigenous Muslim population in Europe, and explores the regions of Eastern Europe where Islam has shaped places and people for more than half a millennium. Encountering blonde-haired, blue-eyed Muslims, visiting mystical Islamic lodges clinging to the side of mountains, and praying in mosques older than the Sistine Chapel, he paints a picture of a hidden Muslim Europe, a vibrant place with a breathtaking history, spellbinding culture and unique identity. Minarets in The Mountains, the first English travel narrative by a Muslim writer on this subject, also explores the historical roots of European Islamophobia. Tharik and his family learn lessons about themselves and their own identity as Britons, Europeans and Muslims. Following in the footsteps of renowned Ottoman traveller Evliya Celebi, they remind us that Europe is as Muslim as it is Christian, Jewish or pagan. Like William Dalrymple's In Xanadu, this is a vivid reimagining of a region's cultural heritage, unveiling forgotten Muslim communities, empires and their rulers; and like Kapka Kassabova's Border, it is a quest that forces us to consider what makes up our own identities, and more importantly, who decides?