Textiles, Text, Intertext

Exploring the role of textiles in early medieval culture, Textiles, Text, Intertext examines the interplay of textile, text, and intertext through various scholarly essays.

The collection titled Textiles, Text, Intertext delves into the intricate representation of weaving during the early Middle Ages, exploring both tangible and imagined aspects. Through a series of essays, the authors engage with the triple themes of textile, text, and intertext, which are significant within the realms of Anglo-Saxon studies and Old English literature. Each chapter provides a thoughtful examination of the semantic complexities associated with textile imagery, drawing connections to renowned works such as the Bayeux Tapestry.

In addition to visual representations, the essays highlight the parallels between word-woven poetics and riddling texts, while also addressing the interwoven nature of homiletic and historical prose. By identifying iconographical textures present in medieval art, the volume constructs a rich tapestry of insights into the material culture and metaphorical landscapes of the Anglo-Saxon peoples. This multifaceted approach allows readers to appreciate the depth and significance of textiles and their relationships to text and intertext.

Textiles, Text, Intertext serves as a fitting tribute to Professor Gale R. Owen-Crocker, whose extensive scholarly work has focused on the cultural importance of textiles and the interplay between manuscripts and text. Edited by Maren Clegg Hyer and Jill Frederick, the volume features contributions from a diverse group of scholars, each bringing their unique perspectives to this fascinating subject.