That Was Us
Contemporary Irish Theatre and Performance
Fintan Walsh editor Willie White editor
Format:Paperback
Publisher:Bloomsbury Publishing PLC
Published:16th Sep '13
Currently unavailable, and unfortunately no date known when it will be back
A collection of essays and artist reflections that profiles and analyzes some of Irish theatre's richest recent developments.
This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance.
In the wake of Ireland’s recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.
That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.
Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.
Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.
In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.
Contents
1. The Power of the Powerless: Theatre in Turbulent Times by Fintan Walsh
ONE: Theatres of Testimony
2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton
3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers’ Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor
4. You Had to be There by Louise Lowe
TWO: Auto/Biographical Performance
5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy
6. The Writing Life by Helen Meany
7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan Tighe
THREE: Bodies Out of Bounds
8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver
9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children’s Theatre by Eimear Beardmore
10. Living Inspiration...
The collection aims for - and achieves - great breadth. It features seventeen chapters from scholars and practitioners on subjects ranging from socially engaged theatre such as that of ANU Productions and Brokentalkers, to children's theatre, to 'bio-plays' that have taken literary figures as their protagonists, to the touring productions of Druid Theatre Company... the collection succeeds in demonstrating "the ongoing role theatre and performance have to play in exploring questions of identity, responsibility, and civic participation". While O'Toole might lament the absence of a 'power play' in contemporary Ireland, Walsh and his contributors show that Irish theatre and performance have responded in diverse and often provocative ways to the challenges of living in contemporary Ireland. * Dr Sinead Moynihan (University of Exeter) *
An intelligent, occasionally emotional dissection of what its editor Fintan Walsh pointedly describes as "theatre and performance in a time of crisis". It's a timely compendium of critical essays and recollections by those on the creative front line of a sector confronting profound economic, political and social change. It also proves to be spine-stiffening testimony to theatre's ability to engage with the here and now... highly recommended * The Stage *
ISBN: 9781783190355
Dimensions: unknown
Weight: 370g
248 pages