The Man in a Hurry

Without doubt the best French writer of the twentieth century -- Philippe Sollers Admired both by Ezra Pound and by Marcel Proust as a pioneer craftsman of Modernist French prose... The sheer shapeliness of his prose recalls Hemingway; the urbanity of his self-destructiveness compares with Fitzgerald's; and his camera eye is as lucidly stroboscopic as that of Dos Passos The New York Times Morand was the all-round aesthete -- Nicholas Lezard Morand was a citizen of the world, with a sharp eye and a neat turn of phrase The Tablet A French modernist on the scale of Proust and Celine... Pushkin Press's gorgeous new edition of Morand's masterpiece is a shockingly clever farce... Morand deserves to be widely revisited Publisher's Weekly