Noise Uprising

This book offers a fresh perspective on the origins of recorded music, highlighting the cultural revolution from 1925 to the early 1930s in Noise Uprising.

In Noise Uprising, the author presents a transformative exploration of the origins of recorded music, focusing on a pivotal era between 1925 and the early 1930s. This period marked a significant cultural revolution as electrical recording technology emerged, allowing countless unknown musicians to capture the vibrant sounds of urban life. These recording sessions, often held in makeshift studios, produced a rich tapestry of musical styles that reflected the diverse cultural influences of the time.

The book delves into the various genres that developed during this fascinating time, including Havana's son, Rio's samba, New Orleans' jazz, and Buenos Aires' tango, among others. Each style not only contributed to the evolving soundscape but also played a crucial role in the broader narrative of decolonization. The melodies and rhythms etched onto shellac disks resonated far beyond their origins, creating a global dialogue that transcended borders and connected people through music.

Noise Uprising ultimately highlights the significance of these early recordings in shaping modern music and culture. By bringing to life the stories of the musicians and the sounds they created, the book emphasizes the importance of this era in understanding the evolution of popular music and its lasting impact on society. It is a celebration of creativity and resilience in the face of change, reminding us of the power of music to unite and inspire.