Discipline Park

Toby Altman’s Discipline Park documents the demolition of Prentice Women's Hospital in Chicago, a landmark of architectural brutalism designed by Bertrand Goldberg in the 1970s. Altman was born in the building, and years later, was employed by Northwestern University when they tore it down. His personal proximity to the site leads to a wider critical evaluation of the cruelty of a neoliberalism that asks us to draw sustenance from the very institutions that poison and erase our bodies, habitats, and histories. But, as it indicts the present and its claustrophobic, ruinous politics, Discipline Park also recovers or reinvents utopian vistas through an extended engagement with Goldberg's architectural practices. Toby Altman's Discipline Park is the 2020 Open Reading Period Editors’ Pick. About the author Toby Altman is the author of Discipline Park (Wendy’s Subway, 2023), and Arcadia, Indiana (Plays Inverse, 2017). He has received fellowships from the Graham Foundation for Advanced Study in the Fine Arts, MacDowell, and the National Endowment for the Arts. He holds a PhD in English Literature from Northwestern University and an MFA in Poetry from the Iowa Writers’ Workshop. His scholarly and creative work can be found in Contemporary Literature, English Literary History, Gulf Coast, jacket2, jubilat, and Lana Turner, among other journals and anthologies. He is currently Visiting Assistant Professor of English and Creative Writing at Beloit College. Praise Brutalism is often remembered as a top-down type of building that no one ever wanted in the first place, but it was always more complicated than that. Toby Altman's Discipline Park untangles and re-tangles Brutalism's complications by digging into all that has been pushed into and projected on the surface of one particular building in Chicago. The imbrications between institutions and individuals…Sometimes it’s easiest to see things when they’re coming apart. —Alex Kitnick Toby Altman’s Discipline Park brings autobiography, architectural theory, civic history, and an unsettled critique of whiteness to task as it tests the notion that human life is “a traveling wound, which inflicts itself on the landscape. ” Do we take the shape of our environment, or do we shape it? When and how can this chain of relation end? I am struck by the piercingly distilled lines that pepper these pages like throwaway remarks, where another poet might...