Walks to the Paradise Garden: A Lowdown Southern Odyssey

Williams’ manuscript, now exhumed, provides a welcome catalyst for the reexamination of the discourse surrounding self taught artists, both in relation to the major museum efforts for inclusion and the shifting language used to place this work within a larger canon of art history. -- Ryan Filchak * Seen *
A journey begun without a map or a clear destination, the book stops along the way for places of good eating (Williams devotes a chapter to Ridgewood Barbecue in Bluff City, TN) and breaks up the wayward narrative with examples of yard or store signs seen or photographed along the road. -- Richard B. Woodward * Collector Daily *
[Walks to the Paradise Garden: A Lowdown Southern Odyssey is] a valuable—if unorthodox—addition to the history of self-taught art. -- Anne Doran * ARTnews *
[A] masterwork collection of rare stories and photos of now-famous Southern folk artists. -- CJ Lotz * Garden and Gun *
The book contains much of the original wildness of the self-taught artists, photographers, and poet alike. Williams writes in a raucous free-form language alongside documentary photographs by Roger Manley and Guy Mendes. -- Karen Tauches * Burnaway *
Walks to the Paradise Garden: A Lowdown Southern Odyssey is a new book of historical importance in the outsider art field, the insights of which will help deepen our understanding of the social-cultural environment from which many remarkable creations by self-taught artists of the American South have emerged. * Raw Vision *
Walks isn't merely a showcase for "Way Out People Way Out There," but a living testimony of those who will always be drawn toward the raw imagination's anti-commercial hinterland-even if it happens to reside in a concrete caveman outside a filling station. -- J.W. McCormack * BOMB *
Along with a deep sense of religious wonder, there is a sense of urgency to the work featured in Walks to the Paradise Garden, a compulsion to make more and more of it until it covered the walls of their homes, crowded the hallways, and spilled onto the front lawn. -- Will Matsuda * Topic *
The photographs, in these instances, offer crucial insights into the spiritual wellsprings of their aesthetic approaches and their artistic practice. -- James Balestrieri * Antiques and the Arts Weekly *
The photographs, in these instances, offer crucial insights into the spiritual wellsprings of their aesthetic approaches and their artistic practice. -- James Balestrieri * Antiques and The Arts Weekly *
The book itself is both a substantive document and, in our no-attention-span Instagram era, a surprisingly performative one, too. Williams’ language makes each entry a tease. As a prospector with a keen eye and a storyteller itching to please, he seemed determined to dig up something new with each encounter. -- Edward M. Gómez * Hyperallergic *
Walks highlights images and stories of Southern artists and creators while they were still anonymous, before they were famous, or in some cases, infamous. * Ace Weekly *
This book is a delight, especially when you think it almost wasn’t published. Williams’ prose is as way-out as the artists, and he creatively and sometimes profanely chronicled his travels to find them. At its heart, though, this is a book of amazing photographs as unforgettable as their subjects — proud Southern individualists for whom creating art was as much a part of life as breathing. -- Tom Eblen * Lexington Herald Leader *
Tobie Mathew’s magnificent book testifies to Russia’s unrepeatable two years of free-ranging political satire. -- Donald Rayfield * Literary Review *