A Grave is Given Supper

Adapted into an original literary-theatric performance by Teatro Dallas directed by Claudia Acosta and starring Elena Hurst LONGLISTED for Reading the West Book Award “The landscape in A Grave is Given a Supper recalls the tones of Frank Stanford, steeped with our phantasmagoric Texan borderlands. Soto offers up each poem like a votive candle, wreath of roses, or weapon, to lay on the altar of the outlaw Jesus Malverde, announcing the arrival of a new literary voice.” —Fernando A. Flores, author of Pig Latin and Stuck on a Razor “Soto describes insects, femicide and the border wall in mystical terms.” —Jaime Dunaway, Advocate Mag “A surreal exploration of the Mexican drug war written in free verse… While many poems traverse…dreamlike terrain, they’re also sometimes grounded in reality. This is where the book is most gripping and provocative.” —Tim Diovanni, Dallas Morning News   On Dallas Spleen and previous work: “Soto drives a relentless narrative from poem to poem… a narrative composed of equal parts joy and rage.” —The Literary Review “Soto eases into discomfort and renders it stunning.” —Katy Dycus, The Wild Detectives “There is a deep, inescapable sadness in many of Mike Soto’s poems but it is a sadness for the world and never himself. It’s wrong to stereotype poets, even positively, but I think Soto’s Mexican literary heritage is deep in his bone marrow. It’s a rich, earthly, mystical tradition in which to have one’s taproots. These poems of light and life are compressed, but never crushed.”—Thomas Lux "Feeling distant, far from family and the place that has given me the deepest sense of home, I resolved to write about individuals on a journey of self-actualization despite living in such a climate of violence, but I wanted to take that further—there were already enough portrayals of economic empowerment and ego empowerment—and make it a quest for a kind of enlightenment." —Mike Soto on his work in A Grave is Given SupperLit Hub's “Combines neoclassicism’s equal temperament, the incisive excesses of the metaphysical poets, and Jamie Sabines-like political sensibilities.”—Joe Milazzo, ENTROPY “It’s been wonderful workshopping with Mike and adapting his words for the stage. A lot of our team are first-or second-generation people who have experienced some of the things touched on in the show: migration, drug wars, a journey from Mexico to the U.S.”Teatro Dallas "Across the book, poems spastically display the weight of both people and landscape in heartbreak and obituary...Holding the book together is the poet’s consistency of tone; Soto’s poems never falter at being both maturely concise and emotionally staggering." — Greg Bem, Rain Taxi