Zenithism (1921–1927)

“The editors and translators of this volume—barbarogeniuses every one—bring to life the zany revolutionary spirit and exuberance of Zenithism. The anthology is a feast of energy and creativity.”

– Ellen Elias-Bursać, Literary Translator and Independent Scholar

“Bošković’s and Teref’s expertly edited and well-translated anthology will contribute to the creation of a fuller picture of the European avant-garde. By demonstrating how original movements were flourishing outside of the main European languages, this anthology invites us to re-map an important period in literary history.”

– Zoran Milutinović, Professor of South Slav Literature and Modern Literary Theory, University College London

“The publication of Zenithism (1921–1927)—A Yugoslav Avant-Garde Anthology adds an important piece to the complex picture of interwar avant-garde in Europe. For a long time, zenithism was a missing piece in this history. Centered on the journal Zenit, this movement was the most prominent and internationally active avant-garde formation in Yugoslavia between World Wars. Aleksandar Bošković’s and Steven Teref’s excellent selection and expert translation of texts published in Zenit offer a vivid portrayal of the literary and visual production of this group. Their critical framing of the whole zenithist enterprise is essential. It situates this group within the European avant-garde at its peak, and places it within the dynamic social, cultural, and economic processes in the interwar Yugoslavia. As a result, we finally have a comprehensive, well-researched, and documented portrayal of zenithism in English. This volume will be indispensable for future research of the avant-garde currents in Central Europe, across the continent, and beyond.”

– Branislav Jakovljević, Sara Hart Kimball Professor of the Humanities, Department of Theater and Performance Studies, Stanford University

“This is the first English translation of almost the entire opus of zenithism (1921–1927), the original Yugoslav contribution to high modernist movements.

The zenithist concept of the ‘barbarogenius’ and barbarism challenged the notions of cultural value that, as the collection’s editors state, 'has been created, reproduced, and re-capitalized as a cultural means for colonial oppression and economic domination.'

Through carefully done translations and exhaustive introductions, the anthology spans a variety of texts—from poetry to the short novel, to flyers, to critical reviews, constructing a narrative about zenithism as an authentically Balkan utopian cultural project, as well as a socially oriented art. It contextualizes zenithism in a novel way that has not been done in previous studies of this movement, by emphasizing not only the zenithists’ practices of textual hybridity and their relations to film and radio, but also their so-called cultural banditry and conceptual writing, as well as by creating a connection with Yugoslav neo-avant-garde literary and artistic practices from the second half of the twentieth century. This is a definitive collection that should become an essential text for anybody interested in modernism.”

– Tatjana Aleksić, Associate Professor of South Slavic and Comparative Literature, University of Michigan, Ann Arbor