Dreaming the Mountain

Praise for Dreaming the Mountain

“[Dreaming the Mountain] is a collection of great depth and longing. Sy is attuned to the gossamer impermanence of clouds and dreams, of all that we know shifting, disappearing, returning. He names what goes and comes across a thousand years.[. . .]  If there’s loneliness in these poems, it’s the loneliness of a soul aware of his small place among a mysterious immensity, an immensity that includes the butterfly wing, the bending grass, the wet eyes of a love. And it’s the loneliness that somehow, powerfully, makes one feel less alone.”—Nina MacLaughlin, Boston Globe 

“Dreaming the Mountain is a moving depiction of a mind seeking freedom in a chaotic world: the doubts and certainties, the careful, profound observations, and, ultimately, the dedication to liberation. It belongs with the greats of wartime poetry and Buddhist literature, but it’s also a generous companion for any of us seeking to understand this human life.”—Rachel Abrams, Tricycle Magazine

“[Dreaming the Mountain] embodies the Zen view that everything we experience is simultaneously present and evanescent. [. . .] the best way to describe anything, physical, emotional, or spiritual is to shine light on it from more than one direction. Which is what Tuệ Sỹ does luminously—Lola Haskins, On the Seawall

 “Sỹ is a master of blending the body and its surroundings, making the metaphysical tangible.”—Poetry Foundation, Harriet Blog

Praise for the Seedbank Series

“Milkweed’s Seedbank series is one of the most exciting and visionary projects in contemporary publishing. Taking the long view, these volumes run parallel to the much-hyped books of the moment to demonstrate the possibility and hope inherent in all great literature.”—Stephen Sparks, Point Reyes Books

“Through its cultural-linguistic contribution to narrative diversity, Milkweed's Seedbank series is a vital tool in imagining the futures possible for humanity beyond the anthropocene. Bringing works from Greek, K'iche', German, Russian (and more!) whose authors are deeply rooted in their homelands, each voice encountered has resonated with me on a seemingly cellular level—shifting and changing both who I am and can be. I will continue to press these books into the hands of compassionate readers and cannot wait to share the forthcoming titles in the project!”—Erin Pineda, 27th Letter Books

"Milkweed as a publishing house has long been championing literary works both fictitious and true to life centered around culture, nature, and environmentalism. The Seedbank series serves as both a marvelous introduction to the books Milkweed provides and as a collection of essential stories that ought to be on everyone's radar. The words behind these front covers highlight life-changing experiences, knowledge, and ways of life from communities that are seldom otherwise heard from in the publishing world through an authentic cultural lens. What I've read from the Seedbank line is phenomenal, and I look forward to spending time with future works in the series."—Andrew King, Secret Garden Books

Praise for Martha Collins’s Translations

“A dazzling poet whose poetry is poised at the juncture between the lyric and ethics, Collins has addressed some of the most traumatic social issues of the twentieth century in supple and complex poems.”—AWP Chronicle

“Underlying tensions animate these arresting poems by Ngo Tu Lap [in Black Stars], movingly translated by Martha Collins and the author. . . . We, as readers, are enriched.”—Arthur Sze, author of Sight Lines

“A delightful aspect of My Da’s poetry [in Green Rice] is the surprising way it summons human feeling from the ancient landscape, from river and field, from fruit and fragrant tree, culling a contemporary self from timeless images. In carrying this across into English, My Da could not have found better translators than Thuy Dinh and Martha Collins.”—John Balaban, author of Empires

“[Nguyen Quang Thieu’s The Women Carry River Water] is both timely and necessary for those who are interested in learning more about contemporary Vietnamese culture, literature, and poetry. The translations are perfect.”—Ngo Nhu Binh, Harvard University