William Kentridge: In Praise of Shadows
Exploring the multifaceted art of a South African master
Format:Hardback
Publisher:Distributed Art Publishers
Published:20th Dec '23
Should be back in stock very soon
This extensive volume delves into William Kentridge's artistic evolution, showcasing his multifaceted work across various mediums and its impact on contemporary narratives.
The book William Kentridge: In Praise of Shadows offers a comprehensive exploration of the artistic journey of South African artist William Kentridge over the past thirty-five years. Through a blend of essays, conversations, and visual documentation, the volume showcases Kentridge's dynamic art practice, which began with charcoal drawing and has since evolved to include film, sculpture, opera, and theater performances. Notable contributors to the book include esteemed writers and thinkers such as Ann McCoy, Zakes Mda, and Ed Schad, who provide valuable insights into Kentridge's work and its impact on both South African and global narratives.
Organized chronologically and thematically, William Kentridge: In Praise of Shadows emphasizes the artist's ability to destabilize traditional narratives through a willingness to embrace uncertainty and change. The book highlights how Kentridge's studio serves as a generative space for creativity, allowing for the exploration of repressed and silenced voices in history. In addition to essays, the volume features a conversation between Kentridge and renowned film editor Walter Murch, as well as an unpublished lecture by Kentridge himself, enriching the reader's understanding of his artistic philosophy.
Kentridge's work has gained international recognition, with exhibitions in prestigious museums such as the Museum of Modern Art in New York and the Louvre in Paris. His contributions to opera, including productions like Mozart’s The Magic Flute and Shostakovich’s The Nose, further showcase his interdisciplinary approach. In 2016, Kentridge founded the Centre for Less Good Idea in Johannesburg, fostering innovative and collaborative art practices through workshops and public performances.
Serves as a generous introduction to Kentridge’s work and its concerns. -- Susan Tallman * New York Review of Books *
Few artists can match the passion and mastery, the productivity and inventiveness of Kentridge, the grand blur-er of genres. -- Jack Curtis * Art New England *
Perhaps this is exactly the work that white and white-adjacent America needs to see, over and over again, until it finally makes the connections between its present and a past that it too often refuses to claim as its own. -- Aruna D'Souza * 4Columns *
Under Kentridge’s hand, historical maps, as well as pages from the Oxford English Dictionary and former mining company ledgers, transform into politically charged examinations of colonial power. -- Anna Furman * New York Times: T Magazine *
ISBN: 9781636810669
Dimensions: unknown
Weight: unknown
288 pages