Life Sciences

Praise for Life Sciences:

2022 French-American Foundation Translation Prize Finalist

2021 Foreword INDIES Finalist – Literary Fiction

“Joy Sorman’s Life Sciences takes an overtly political premise—the medical establishment’s inability or perhaps refusal to take seriously the physical struggles of women—and transforms it into a surreal and knife-deep work of fiction that asks: What pain can we abide, and what pain must we fight back against, even if the fight hurts more than the disease itself?… Translated by Lara Vergnaud into prose that is both deceptively simple and playfully archaic, Sorman’s story [is] among the first to tackle illness as metaphor, as birthright and as feminist rebellion…. Sorman’s alternative history of female malady offers both a horrific dose of truth and a comforting alternative to the stories sick women have told ourselves since time began.”

—Lena Dunham, The New York Times Book Review, Editors’ Choice

“An arresting allegory…. [Ninon’s] determination to jump ‘out of the line of cursed, mad, degenerate women’ makes her an engaging character as well as a powerful cipher of resistance to the stories she’s grown up with…. Readers will feel empowered by this tale of taking control of one’s body.”

—Publishers Weekly

“Sorman uses her protagonist's suffering to critique the medical establishment, with its massive imbalance of power between doctor and patient…. Her detached tone, which Lara Vergnaud makes crisp and stylized, adds to the sense of novel-as-critique: often, Sorman's narrator seems to be speaking in voiceover, as if Ninon were the subject of a documentary. This strategy serves to alienate the reader from Ninon, precisely as Ninon's pain alienates her from her mother and from her peers. Life Sciences is a lonely book—and, for that reason, an effective one…. It forces the reader to reckon with what Ninon is going through.”

—Lily Meyer, NPR

“It’s an often dark tale about women who struggle with health issues that the medical establishment cannot—or does not want to—cure, or even identify. But stories can be changed, and Ninon might just be the woman to do it. Life Sciences is an immersive, harrowing novel about the power of stories to turn a captivating fable into a prophecy.”

—Eileen Gonzalez, Foreword Reviews

“A singular insight from this torrent of an illness narrative—spoiler be damned—is that we might be most healed by a practitioner, healer, or otherwise, who takes their own medicine, who is sick with us. As Joy Sorman's protagonist Ninon makes her medical rounds, racked with a mystifying pain, her circle of healers widens (is a tattoo artist one?). And as this propulsive book, like pain itself, metabolizes all healers, I begin to notice the witchy inroads of help, where or if it can happen, or—stakes derange—if help helps.”

—Caren Beilin, author of Blackfishing the IUD and Revenge of the Scapegoat

“When a French teenager inherits a painful curse, ordinary life ends and a quest for healing begins…. The second novel from Sorman, a prizewinning novelist based in Paris, comes to us in a beautiful translation by Vergnaud…. The ending is worth getting to.”
—Kirkus Reviews

“How many women have been patted on the head by a doctor (usually a male) and told, ‘It's all in your head, sweetie’? That is what I kept thinking throughout this book. Was her young age and gender working against her as she sought opinion after opinion? Would she have been taken more seriously if she was a male? An interesting and thought-provoking novel.”

—Cheryl Reigle, OutWest Books (Grand Junction, CO)

“Life Sciences is an incredibly good book about chronic illness and pain, learning to deal with it and make sense of it emotionally, as well as relearning to live your life either with the pain, or in the wake of it. It also focuses on a woman’s experience of being chronically ill…. It’s incredibly relatable and very validating.”

—Avalinah's Books

“This book was an unexpected delight. The writing is both dreamily impressionistic and extraordinarily precise in the ways it describes Ninon the protagonist's illness and attempts to get well. This is a very cerebral book but it is not without heart.”

—Amanda Toronto, Word Bookstore (Brooklyn, NY)