Seeing the Apocalypse

Bird Box was more than just a popular Netflix film, it was a global phenomenon. Seeing the Apocalypse: Essays on Bird Box brings together an interdisciplinary group of scholars to shed light on the ways the film connected with social anxieties around disability, community, technology, and other issues. This volume provides invaluable insights into not only Bird Box but also the broader trend of apocalyptic horror in the 21st century.

-- Kendall R. Phillips, Syracuse University

This outstanding collection on post-apocalyptic horror Bird Box explores the film's complex and timely commentary on critical issues such as disability and ableness; community and social responsibility; and the body in culture, technology and society. This volume positions Bird Box as an important genre piece, a rare sense-deprivation type of apocalyptic body horror that uniquely celebrates disability, whilst calling our attention to the reality that when society breaks down, the structures that protect us crumble along with it. Like Bird Box, the strength of this inventive and beautifully crafted volume lies in the ideal casting of its contributors and the solid concept of the content. Film fans, students, and researchers will find Grafius and Stevenson's radical new volume, which was written during a real-world pandemic, lively, accessible, and fascinating!

-- Victoria McCollum, Ulster University

Josh Malerman’s novel Bird Box and Susanne Biers’ Netflix adaptation became a cultural phenomenon in 2018. Editors Grafius and Stevenson have gathered a remarkable set of essays in this volume that investigate how Bird Box participates in larger cultural dialogues on apocalypse, motherhood, technology, disability, refugees, the environment, fear of the unknown, redemption, technophobia, and binge-watching, among others. As with the best of this kind of volume, the contributors reframe the film, how we see it, and what it says about the world. If anything, the implications from the analyses and insights in this volume render both the film and our reality that much more terrifying.

-- Kevin J. Wetmore, Loyola Marymount University, author of Post-9/11 Horror in American Cinema and Bram Stoker Award-nominated ed