The Conservation of Medieval Polychrome Wood Sculpture - History, Theory, Practice

This book offers a detailed examination of medieval polychrome wood sculpture conservation, covering history, techniques, and practical treatment methods. The Conservation of Medieval Polychrome Wood Sculpture is essential for professionals in the field.

This groundbreaking work serves as the first comprehensive English-language exploration of the conservation of medieval polychrome wood sculpture. These intricate artifacts carry rich histories that span from their initial creation and decoration to centuries of repainting, deterioration, restoration, and conservation efforts. The book is richly illustrated, making it an invaluable resource for conservators, curators, and anyone responsible for the preservation of these historical treasures.

Beginning with a thorough examination of the historical context, techniques, and significance of medieval polychrome wood sculptures, the text delves into the essential aspects of their examination and documentation. It includes detailed chapters that discuss the identification of the wooden support and the various polychrome materials—such as paint layers and metal leaf—used in these artworks. This foundational knowledge is critical for understanding the complexities involved in their conservation.

The volume also addresses practical treatment aspects, guiding readers through the process of determining the most effective conservation strategies. Topics include paint consolidation, overpaint removal, surface cleaning, and compensation for losses. Additionally, four in-depth case studies featuring artworks from The Cloisters in New York provide real-world applications of the discussed methodologies. A comprehensive bibliography and a documentation checklist further enhance the utility of this essential guide to The Conservation of Medieval Polychrome Wood Sculpture.